CHRISTY LEMIRE:
My next choice is MAGNOLIA, writer/director Paul Thomas Anderson’s three-hour epic of intertwined lives over one day in Los Angeles. Anderson sets his film in the San Fernando Valley, where I grew up, and despite the bleak realism he depicts, Anderson infuses a surreal undercurrent that grows as the film builds to a crescendo. He follows nine characters, with an excellent cast including William H. Macy, Phillip Seymour Hoffman, Julianne Moore and John C. Reilly. He seamlessly eaves their lives together, including a game show whiz kid, a nerdy L.A. police officer, and a skittish coke addict.
CLIP from MAGNOLIA
CHRISTY:
Tom Cruise does the best work of his career in MAGNOLIA, as a cocky self-help guru whose confidence is seemingly impenetrable.
CLIP from MAGNOLIA
CHRISTY:
Anderson masterfully orchestrates the meltdowns and epiphanies with a propulsive, fluid energy, with Aimee Mann’s original songs poignantly commenting on the action.
CLIP from MAGNOLIA
CHRISTY:
And then, of course, frogs rain from the sky. You’re either going to go with it, or you’re not. I went with it.
CLIP from MAGNOLIA
CHRISTY:
Now, I saw MAGNOLIA when I was just staring out as a critic in 1999, and I found it really polarizing. People were either wowed by it, like I was, or they thought it was over-long and pretentious. It’s one of the first films that forced me to stand my ground, and here I stand today.